I am originally from Plentzia, in the Basque Country. It is a coastal town near Bilbao, Spain.
My first contact with theatre was at Anima Eskola (2017-2018)

A drama school located in a neighbourhood of Bilbao. It was founded by Algis Arlauskas and Marina Shimanskaya, disciples of the Russian Stanislavski method.

There they taught me what respect and passion for the stage meant. 
My movement teacher at that school was David Valdelvira, and one year with him was enough to know that I wanted to continue my theatre training specialising in physical theatre.

I enrolled at RESAD, Madrid. Royal School of Dramatic Arts. In the gesture theatre programme. (2018-2021)

​The core of the acting training was the Schinca Method of body expression, created by Marta Schinca.

Parallel classes in dance, acrobatics, mime and clowning rounded off a training programme that made me want to continue exploring the limits of the movement arts.
It was then that I discovered aerial straps and decided to enrol in a professional circus school.

Ecole de cirque de Quebec (2023-2026)

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It was here that I discovered the world of the circus in its entirety. I specialised in aerial straps with Yannick Blackburn and Kenneth Lindemann. Cyr wheel was my second discipline, and I also studied complementary disciplines such as acrodance or banquin.

This training, apart from boosting my technical skills in my disciplines, accompanied me and taught me how to acquire an identity in my element and how to locate the vocabulary of movement in technical sequences. That way of approaching creation accompanies me, as one never finishes exploring.

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